Two rhythm guitar parts and a bouncing bass line (we’ll learn the 1st rhythm guitar part tommorrow). ![]() You’ll notice that in the 1st measure where the guitar is playing a C chord, the bass mostly alternates between the root (C on the 3rd fret of the A string) and the 5th (the G on the 3rd fret of the low E string). Since it’s in support of mainly a two chord change (C,F) it bounces lot between the root note and 5th of each chord. It really adds movement to the entire piece. The 4 strings on the bass guitar are the same as the bottom 4 strings on the guitar: E,A,D,G. You can learn to play it on your 6 string guitar. Many of you guitar players will probablly try to skip over this part, but I think you should try to learn it anyway. This means we should play the notes on the frets of the corrosponding strings. The circled 5 means the 5th string (A string) and the circled 6 means the 6th string (low E string). Instead of sounding notes you’ll produce a percussive sound.Īlso, in the 4th measure you’ll notice that the last two notes played are not chords at all. You’ll strike the strings like you normally would, but you’ll mute the strings with your fretting hand. When you see a slash through the note you should play it as a muted chord. This will allow you to end the notes abruptly. Come down on the strings with your pick with a little force, but then muffle out the chord with your wrist on your picking hand right after you’ve sound the chord. To get the staccato like sound we’re looking for be sure to use all downstrokes when playing the chords. It’s signified by a little dot bellow the note. ![]() Some other things to keep in mind when learning this part is the extensive use of staccato. This means we’ll end the note very abruptly. Here’s what these two chords look like: C The only difference here is that we omit the B and high E strings while strumming the chord. The F chord is a modified version of the E style barre chord on the 1st fret (root one low E string). The C chord is played with an A style barre chord on the 3rd fret (root on the A string). Keep in mind that these are barred versions of the chords. We can follow along with a chord chart because a majority of the part is just an interplay between two chords: C and F. To learn to play it we don’t even need tab. This guitar is a stratocaster style guitar with a very clean sound. Below in red numbers next to the tabbed notes in black are the fingerings that you’ll want to use to pull it off: Guitar 1 at this point plays a lead line. The last two measures involves a nice musical turnaround. End the measure by playing the “B” string and the “high E” string with your 1st finger, which you barred, on the eighth fret. Hammer-on with your 2nd finger on the ninth fret on the “G” string. A hammer-on is when you go from a lower note to a higher note, only striking the first note(s). You will be performing a hammer-on at the end of this measure. Play that once, and then barre your 2nd finger on the eighth fret on all strings but the “low E” string. Move once again to the seventh fret with your 1st finger. Move that finger back to the eighth fret again, and play that twice. Play that twice, and then use your 1st finger to move to the seventh fret on the same string, the “D” string. Place your 1st finger on the eigth fret on the “D” string, and your 3rd or 4th finger on the tenth fret on the “G” string. Go to the second measure and play what you did at the beginning once more, sliding once again. ![]() Play that once, and then just slide toward the tuning pegs a bit. Guitar 1īegin by placing your 1st finger on the ninth fret on the “G” string, and your 2nd finger on the tenth fret on the “D” string. ![]() The last two measure are more of a musical interlude or turnaround that prepares use for the segment of the song. The first 8 measures are in support of the the 1st verse of the vocals. You should take note that the verse is 10 measure long. Here’s what they all sound like together: Their numbers and devotion were legendary in their own right - The Grateful Dead were the ultimate cult band, and a great deal of popular bands get their stylings from this band. Throughout most of three decades, this band was the object of love for popular music’s most celebrated fan following - the Deadheads. Where to find this song – Workingman’s Dead track # 8 Key Signature: C major Time Signature: Standard 4/4 time
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